Another End of the World: Annivyrsary 2012
It was the year the world was supposed to end. For music, in a own way, it did. As the 2009 class of indie darlings delivered underwhelming follow ups (Shields, Centipede Hz, Swing Lo Magellan—many now, in ten years time, seen as unsung greats), critics were reckoning with the rise of poptimism.
Autumn Be Kind
Of all the seasons, fall descends—a cliché so apt as to buck the label. Summer’s elation settles and forms a gelatin of peace. The brain works better in these prime and perfect temperatures. Give your ears a bath with these songs of soothing shadow.
Songs from the Roadhouse
That gum you like? It’s coming back in style—today I made a playlist of bands that would almost certainly play at the Roadhouse from Twin Peaks, from dream pop to darkwave to jazz-flavored country.
Floating Above a Piano in its Ocean Grave
With cracked hands and bleary eyes I bring you a playlist comprised almost entirely of songs that came out on this very day, pulled from every stage of the artistic career arc—from veterans like Built to Spill still releasing new albums after decades of fantastic work to mid-career millennial masters like Father John Misty and Arctic Monkeys, all the way down to flag-planting newcomers like Jockstrap and Sudan Archives.
Dragon Con Phonk
Today’s playlist was inspired by Dragon Con. I packed it full of drift phonk, a newer genre of electronic music born from phonk, a.k.a. chopped-and-screwed hip hop that takes old-school Memphis rap samples, compresses them until their flat as a tin pancake, and buries them beneath distorted 808s and lo-fi trap rhythms.
A Rush of Bright Lights to All Your Friends: Annivyrsary 2002
In 2002, I was listening to All That You Can’t Leave Behind from the backseat of a minivan while I flipped through the pictures in Nintendo Power. I thought all songs debuted through Now That’s What I Call Music! I was Coldplay’s perfect mark—I had no idea what a cliché even was.
Cool Riders, Tea Birds
Writing is not a resource-rich profession. Sometimes, a Wyrm is the best gift I have to give. And say it with me now: It’s hard to make friends as an adult.
The Earwyrms Canon, Pt. X: Dissolve
This is the final issue of the Earwyrms Canon. There’s no true theme to bind these ten together, except that they were always going to make the list. These were the songs I thought of first, the allies that I trusted best.
Bummer ‘Bout the Summer Dude
The kids go back to school next week, so why not sit back and listen to something new? I’ve always loved Songs of First Semester more than Songs of the Summer anyhow.
Peyote Rock (II)
Peyote Rock was built by nature’s outliers—crust-punks and cowpokes, volcanic pariahs, those who need their country music with a glass eye and a switchblade. Don’t know what I mean? Just listen.
San Andreas Chic: Annivyrsary 1992
I must’ve gotten my hands on Grand Theft Auto: San Andreas in 2004, when I was 10 or 11 years old. Grand Theft Auto maintains a dual reputation as one of the greatest video games of all time as well as one of those Matrix-level Y2K-era youth corruptors.
Horse Lubber Grasshoppers
The highlight of Murrells Inlet is Brookgreen Gardens, one of the most beautiful places I’ve ever seen. It’s a 9,100 acre sculpture garden, replete with stone-carved mythic figures and lush with ancient live oaks, many older than the signing of the Constitution.
The Earwyrms Canon, Pt. IX: Histrionics
Music is melodrama. Pageantry, spectacle, vulgar vulnerability—the arrogant may sneer, but pain is universal, and songs are unique in their ability to immerse. The form allows us to wear the feelings of one another.
The Best Songs of 2022 (So Far)
A confession: I have not finished a single book all year. I normally average between 15 and 30 by year’s end. And listen, I’ve tried—oh! have I tried.
The Financial Issue
I was always nervous about demanding a subscription fee. Maybe it’s the farmer in me, maybe it’s because I believe life’s pleasures should be free—and music and writing are nothing if not life’s unique and renewable pleasures.
I, Inside
People, on the internet, a few years ago loudly pleaded “No pandemic art!” to whomever would listen (everybody was). I never agreed with the sentiment, but I stayed out of it—I know trauma when I see it. But today, standing this distance from that initial quarantine, the more I thank God Inside documented it, much moreso than I felt at the time.
Midwestern Noir
I call this sensibility Midwestern because it’s an attitude inherent to life on the plains, where you can see storms gather from miles away and can do nothing for hours but brace for the worst. The winters are some of the coldest in the country. There’s a reason some of the only immigrants who could bear it were Swedes, Russians, Norwegians, and Finns.